photophunk.com
imprint
parties
artists
links
gadgets
gästeliste +1
an exhibition on the occasion of ctm.06 - festival for adventurous music and related visual arts.
with photographic works by martin eberle, remco schuurbiers and marco microbi.
automatic documentary robot by niklas roy.
martin eberle
peaches, 2004, 104 x 133cm | after show | galerie berlintokyo außen, 1997, 110 x 90cm | temporary spaces
armin von milch, 2004, 132cm x 169cm | after show | annika, 2004, 118 x 151cm | after show
opening: january 26, 2006, 7pm
exhibition: january 27 - february 11, 2006
january 27 & 28: 4pm - 7pm, february 2 - 11: 2pm - 7pm
remco schuurbiers
no title part 1, 2004, 90 x 60cm | gästeliste +1 | no title part 2, 2004, 90 x 65cm | gästeliste +1
no title, 2005, 90cm x 60cm | gästeliste +1 | no title, 2005, 90 x 60cm | gästeliste +1
Exhibition with works by Martin Eberle, Marco Microbi, Remco Schuurbiers and Niklas Roy
For the 7th edition of the Festival, the project space General Public, in cooperation with
DISK − Sound and Image Initiative, will present "Gästeliste + 1": photos of Berlin’s
music scene by Martin Eberle, Marco Microbi and Remco Schuurbiers. The exhibition will be
complemented by an archive−station where you can access audio−video documents of
the last 6 editions of the CTM Festival. The mobile camera installation, Dokumat 500
from Niklas Roy will randomly sample the exhibition space and some of the festival nights.
Being on the guestlist − blagging it − supposedly guarantees access to a special, exclusive
experience in clubland. It’s therefore a highly desirable symbol of distinction that endows
the chosen few with insider kudos, even in a club scene whose door policies are not
radically exclusionary. For the artists in this exhibition being on the guestlist is also
a prerequisite for their artwork, particularly if it assures them entry into that
holy−of−holies, the backstage. Eberle, Microbi and Schuurbiers’s work shows the hidden
aspects of the Berlin club scene. Eberle photographs artists − animated, irritated or
relaxed − just after their performance, or the venue itself, deserted once the guests have
left. Marco Microbi focuses on the performers in action and their technical accoutrements.
Remco Schuurbiers creates still−lifes of shortfalls, or the abandoned remnants and
absurdities of clublife: left−over catering, someone asleep amongst a pile of empties,
storage spaces crammed with everything that’s hastily stashed out of sight minutes before
the doors open on a new event. Characteristic takes on the Berlin club landscape, for all
three artists have been molded by the very scene they document. Niklas Roy, in contrast,
offers a de−personalized look at clublife. The eye of his robotic camera installation,
Dokumat 500, is a sensory device that tracks movement in its vicinity and produces chance
shots automatically.
www.generalpublic.de
schönhauser allee 167c
10435 berlin
marco microbi
wasted 2, at maria, 2005, 60 x 90cm
live set 101581, at maria, 2004, 60 x 90cm
robert owens, at 12|34, 2003, 40 x 60cm
goldie, at wmf, 2003, 60 x 90cm
this exhibition is presented by disk - initiative for sound and image
www.diskberlin.de
niklas roy
dokumat 500, 2005
feel free to download the pdf-file (5,3 mb) about the exhibition.
see more videostills taken by dokumat 500.
see more photos from the exhibition.
to look at all the pictures on this page you need to deactivate the popup-blocker.
if you dislike seeing your picture on this website do not hesitate to send a message to nophoto@photophunk.com.
back
up